21.12.2021

Throughout history, a variety of outside influences and internal preferences have motivated women across the globe concerning their choices in clothing. While obvious factors, such as protection and warmth are some of the reasons why a woman puts on the attire she chooses in the morning, Women Wear also serves as a powerful way to express and communicate identity. Below you will find some of the reasoning behind today's clothing selections and fashion pertaining to women.


Modesty

While the concept of modesty is different for each and every place in time, over the years it has played an important role in women's fashion. In various parts of the world and time periods, it was frowned upon or forbidden for a woman to show off her legs, shoulders, back, and cleavage. While the United States no longer enforces strict social policies on women and the clothes they wear, some cultures still uphold the aspect of modesty in women's fashion. For instance, Muslim cultures expect women to cover most of their body while in public. This has created a wide-ranging market of lengthy and concealing garments in cotton, wool, polyester, silk, rayon, and denim. Common attire includes Hijab underscarves, long lycra gloves, abayas (long cloak-like garments); and jilbabs (outer- and over garments including long robes and coats).


Status

Women Outerwear choices are also motivated by their status or position within a social group, as some pieces call attention to a specific affiliation. This is seen in the skirts worn by a college tennis team or the elaborate robes worn by members of African tribal royalty. In the United States, corporate executives, lawyers, and other high-income career positions are often identified by the type of clothes worn.


The questions of power, sexuality and gender being raised by men’s fashion right now are far more interesting than whether guys will actually wear skirts or off-the-shoulder shirts.
How much does fashion really impact our attire? As received opinions run, Men Wear doesn’t fluctuate all that much. Women’s wear is subject to oscillating hemlines, vagaries of fit and flare, to ever-perambulating erogenous areas. Shifts in men’s wear, we are told, are tectonic, stately and slow: they mean something. They’re allied with events like war and revolution. Think of the Great Masculine Renunciation, the term coined by the psychoanalyst John Carl Flügel to denote a general eschewing of extravagance in male dress at the turn of the 19th century. It was a revolution in cloth, a sartorial equivalent to the upheavals recently wrought in the Americas and France. In fashion terms, it swept away the restrictive layers of finery, slicing off embroidery as Robespierre cleaved off aristocratic heads, in favor of stripped-back tailoring in black and navy­ blue.

That’s the sort of heavyweight stuff that changes the course of Mens Outwear, we like to think, rather than the flimflam of the biannual catwalk circus. The shows are, by and large, very much like the courtly attire of the ancien régime, where tinkering with outward trinkets of embellishment hid a lack of evolution in cut. How dishonest. How dull. How wrong.

Today, however, a men’s wear revolution is being wrought on the catwalk — admittedly, by relatively few. Many cling to the accepted stock ­characters of men’s wear, jiggling prints and trims on stalwart but staid suiting, or sportswear basics barely tweaked from their track­ and­ field origins. But there is an influential new guard of designers who are questioning the fundamentals: gender identity and sexuality, the roles and position of the postmodern male.


As the children's clothing industry was growing in popularity, more and more fashion designers decided to focus their work exclusively on designing clothes for young children and babies. Soon, the offer became more and more diversified, Children Wear gaining a lot in aspect and originality. Supermarkets and clothing stores began to fill up with ingenious and colorful clothing articles for children, lots of shops even specializing in exclusively selling children's clothes. In contrast to yesterday's children's clothes – poorly designed and, let's face it, quite dull – today's children's clothes are ingenious and appealing, stimulating their imagination and building their sense of aesthetics and beauty. Ranging from little boys' suits and little girls' accessorized dresses to cartoon-character costumes and even superhero outfits, children's clothes are nowadays created to adequately satisfy the needs and desires of the very young.

Visibly enjoying "the attention" granted to them by the fashion industry, lots of children nowadays spend more and more time looking for the most interesting and imaginative clothing items they can find. Mesmerized by so many clothing models, designs and colors, many children can hardly decide upon a single item in particular! As soon as they step inside children's clothing stores, children are immersed in a colorful and magnificent world, similar to the world created by toy stores. Funnily, lots of today's children equally enjoy paying visits to both children's clothing stores and toy stores – fact that reveals the young generations' interest towards clothes, and thus their inclination towards originality, aesthetics and sense of beauty.


In the 1980s, public schools were often compared unfavorably to Catholic schools. Noting the perceived benefit that uniforms conferred upon Catholic schools, some public schools decided to adopt a school uniform policy.

President Clinton provided momentum to the school uniform movement when he said in his 1996 State of the Union speech, “If it means teenagers will stop killing each other over designer jackets, then our public schools should be able to require their students to wear Customized Uniforms.”


Group, as of November 2020, year-to-date pajama sales were up 5% nationwide—a margin expected to increase once holiday sales are factored in. Specialty sleepwear brands have enjoyed an even greater surge: The Great, a Los Angeles casual wear label, and 24-year-old Miami brand Eberjey both report that they saw Pajamas sale double last year and, after less than a year in business, Los Angeles loungewear upstart Leset sold out of almost every item on its website last spring. It’s no surprise, then, that other brands are pivoting to snooze style. The new appetite for PJs led New York label Adam Selman Sport, known for flamboyant workout wear, to bump up the launch of its sleepwear line a full year, said its namesake designer. San Francisco lifestyle brand Athleta debuted its sleep range this month and Parisian fashion house Christian Dior just released its “Chez Moi” capsule, which includes such swank, snugly wares as toile-print pajamas with black piping.

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